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Onward Motion
Exquisite MiniaturesSome of the texts may be regarded as authentic poems in prose, while others are closer to exquisite miniature prose narratives. The setting is primarily urban, with the focus on crowds and the suffering lives they contain: a broken-down street acrobat (Le Vieux Satimbanque), a hapless street trader (Le Mauvais Vitrier), the poor staring at the wealthy in their opulent cafés (Le Vieux des pauvres), the deranged (Mademoisele Bistouri) and the derelict (Assommons les pauvres!), and, in the final text (Les Bon Chiens), the pariah dogs that scurry and scavenge through the streets of Brussels.
Not only is the subject matter of the prose poems essentially urban, but the form itself, "musical but without rhythm and rhyme, both supple and staccato," is said to derive from "frequent contact with enormous cities, from the junction of their innumerable connections."
In its deliberate fragmentation and its merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists, embodying in its poetics of sudden and disorienting encounter that ambiguous "heroism of modern life" that Baudelaire celebrated in his art criticism.


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I find thst this book is published no where else at this present time, than through the Teitan Press; Crowley has some poems in translation of Baudelaire in his Collected Works, but this present edition (Little Poems in Prose) is all in prose. Thus, it is contained no where else, as yet.